A technical walkthrough of “Reflection,” covering the tone and phrasing decisions across the song’s dynamic shifts, plus how the low end is voiced differently between the verses and the bridge.

A modern pop-rock cover, working through the tight, punchy bass part that drives “Teeth” and the tone choices that keep it sitting well against a heavily produced track.

A fretless bass cover of “Mi Tierra,” exploring the Latin rhythmic patterns that anchor the song and the technique adjustments needed to play authentically in that style versus a straight rock or pop groove.

Play-through of “Already Gone,” covering the phrasing and tone decisions that hold the song’s groove together, along with a few notes on how the part shifts to support the track’s dynamic sections.

A gear video covering the unboxing and install process for a custom Alperious pickguard on a Fender American Professional II Precision V bass — fit, finish, and what to expect when swapping one onto a bass.

For a closer look at a finished Alperious pickguard, see this detail shot on the Sakura Stingray.

Play-through of “Disguise” from We’re No Gentlemen’s release This Is Home, with a focus on the rhythmic drive that anchors the track and the small fills that connect sections without pulling focus from the vocal.

A fretless cover of the Rush classic, recorded for the 45th anniversary of the album’s release. Breaking down Geddy Lee’s original bassline and the technical demands of playing it accurately — timing, articulation, and the tone that gets close to the original recording.

A bass breakdown of “Flatline Love,” looking at how the part shifts to support a more pop-leaning arrangement — cleaner tone, tighter note choices, and phrasing built around the vocal rather than around a traditional rhythm section pocket.

Play-through of “Show Me The Way,” covering the groove foundation and how the bass part evolves across the song’s structure to build energy heading into the final chorus.