We’re No Gentlemen – “Sk8r Boi” (Live streaming event)
Danny Knapp on bass with We’re No Gentlemen, tracking Avril Lavigne’s “Sk8r Boi” live at Takeover Live. Pop-punk doesn’t ask for technical complexity so much as relentless precision — driving, tightly-locked patterns at speed, played note-perfect against a well-known original that any fan in the audience could sing back. It’s also a different kind of pressure entirely: no crowd, no room energy, just a camera and a streaming studio built to capture a full-band performance with nowhere to hide. Danny brings the same commitment to that format as he would to a packed room.
Danny Knapp performing with VK Lynne, The Spider Queen, known for her own special blend of metal. Switching instruments mid-set, Danny moves between electric bass and upright contrabass — not just a visual change, but a shift in tone, technique, and right-hand approach on the fly, all while staying locked into a theatrical, character-driven show built around a persona rather than a straightforward setlist. That kind of performance asks for more than solid playing: it asks for the stage presence to match the material’s drama without losing the musical thread underneath it.
Playing with L.A. Sound Machine means stepping into a rhythmic feel that works nothing like rock or pop — Latin music runs on its own complex rhythmic foundation, one most rock and pop players never fully lock into. The band’s Gloria Estefan tribute set spans more ground than that alone, moving through pop, dance, Latin pop, and even Cuban jazz within the same show. Danny Knapp gets it, switching between bass guitar and stand-up bass to match the demands of each style, and settling into grooves that work nothing like a standard rock pocket.
Interested in booking L.A. Sound Machine? Visit their website.
Danny Knapp takes on one of the most demanding roles a bassist can have with Groove & The Gang — funk and disco don’t just ask the bass to hold the groove, they hand it the lead voice, with some of the most elaborate, recognizable lines in popular music. Danny handles both halves of that job: locking the pocket down tight enough to keep a room moving, then stepping forward with confidence when the line calls for it. It’s a genre that rewards a player who can be the foundation and the highlight in the same song — and this set shows why he’s built for it.
Musies – A Tribute to Broadway: Live Highlight Reel
Danny Knapp on bass with Musies, tackling a 90-minute set drawn from 15 different musicals spanning 50 years of Broadway. Broadway parts are written more like orchestral arrangements than pop or rock songs — lines that rarely repeat, frequent time signature changes, and key changes within a single number are the norm rather than the exception. The band performs without a conductor, which means following the vocalist and staying locked in as a unit through all of that change in real time, with no baton keeping everyone together and no repeated sections to fall back into.
July is typically one of the busiest months of the year for Danny Knapp, the Southern California bassist who performs as The Melonhead — this year was no different with eleven shows across five different projects, switching genres several times every single week.
The Whisky a Go Go has seen a lot of legendary nights. February 21st was one more.
Southern California-based bass guitarist Danny Knapp was invited to perform at an intimate birthday celebration for singer/dancer Erin Stricklen-Wilson, held at one of rock and roll’s most storied venues on the Sunset Strip. The Whisky a Go Go has served as a launching pad and landmark for some of the biggest names in rock history, and Knapp approached the occasion with the reverence it deserved.
“That stage has hosted some of the most legendary names in rock history — and I do my best to honor that every time I play there,” said Knapp.
What made the night even more memorable was the company. Knapp joined a who’s-who of fellow L.A. musicians who also happen to be close personal friends — a combination that, by his own account, brought something special to the room.
“When the people on stage with you are also the people you’d hang out with anyway, something magic happens,” he said. “The evening had plenty of that.”
Knapp, who performs under the name The Melonhead and is an endorsed artist with Sandberg Guitars, S.I.T. Strings, Schroeder Cabinets, and Pig Hog Cables, continues to build his reputation as a sought-after bassist for both live performance and private events throughout Southern California and beyond. Private events and special engagements are available upon inquiry.
For booking and inquiries, visit melonheadmusic.com or reach out at info@melonheadmusic.com.
A Standout Year for a Professional Bassist on the Live Stage
In 2025, professional bassist and vocalist Danny Knapp delivered one of his most active and consistent years to date, reinforcing his reputation as a versatile, in-demand performer and session bassist across Southern California and beyond. With a schedule spanning tribute productions, corporate and private events, and original music projects, the year reflected both artistic range and professional reliability.
Over 100 live performances in 2025 across tribute, corporate, and original projects marked a milestone year—one defined not just by volume, but by adaptability. From high-energy tribute shows and casino stages to polished corporate events and creative original collaborations, each performance required a different approach, musical mindset, and level of precision.
Danny Knapp holds down the low end for Maiden United’s Iron Maiden tribute — a genre that offers nowhere to hide, with the bass locked tight against a driving drummer through constant tempo shifts and breakdowns. Steve Harris’s basslines are as demanding as they are iconic, built on galloping rhythms and intricate runs that few players can execute cleanly at speed, night after night. Danny holds that line while still bringing the stage presence a metal show demands, performing alongside the band as “Steve Hairless.”
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gid
ID used to identify users for 24 hours after last activity
24 hours
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga_
ID used to identify users
2 years
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utma
ID used to identify users and sessions
2 years after last activity
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
